However, these ETC graphs indicate that the reflections from the beginning weren’t removed from my workspace. Thus, it is possible to use Reference 4 to improve the accuracy of the Phantom Center. The purpose of the correction factor is to get rid of unwanted coloration so that we can listen to flat, neutral frequency responses.
Standard studio microphones, like Shure’s SM57, are not suited for this. These microphones are made to feature a linear frequency response with low total harmonic distortion and an Omnidirectional Polar Pattern. So, the software improved the precision of my room’s frequency response. If you have the complete V3 package, which includes Systemwide version 4, it is not a good reason to upgrade at the moment. We can, as a result, analyze the way Reference 4 influences the decay of various frequencies.Ĭreate custom adjustments to the desired curve in real-time and then manually select the frequency range this calibration is applied. When we look at the decay times, you can observe my room’s resonances as well as Reverberations. Waterfall graph The graph offers valuable insight into how a space reacts to time. Figure 4 illustrates how my studio’s frequency responds both with as well as with and without Sonarworks Reference 4 enabled. It also shows that the correction factor tends to, on average increase the linearity.
In the figure below you can see an ETC graph that was generated from my listening location.
Should Sonarworks Reference 4 do be able to pass this test we will see improvements in a few of these areas. The ETC graphs revealed how the corrector factor in Sonarworks Reference 4 had little to no impact on the early reflections.
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